Notes on Film Projectors:

Auto-Load: While "Auto-Load" can work to varying degrees on different film projectors models, it is notorious for eating films. The overall design went through an evolution over the years, but even the best designs will eat films on occasion. This is usually due to poorly trimmed film, excessive curling of film (usually associated with smaller reel diameters), bent / crumpled leader ends. An excessively "curled" film can be almost impossible to "auto-load". Film eating can also be due to projector maintenance issues and poorly designed transport sprockets.

Projector Chatter: A well maintained and properly adjusted projector should not "chatter" when projecting film with good condition / clean sprocket holes and properly done splices. However, even the best projectors will chatter when trying to project film with torn, worn, missing and otherwise imperfect sprocket holes and bad splices.

Fast Wind / Rewind Sluggishness: This can typically be due to 3 issues. 1: Hardened / varnished internal lubes (pretty much a given on any electro-mechanical device over 10 years old even if it's described as "New In Box"); 2: Glazed rubber parts, belts and / or tires that no longer have any "grip" characteristics to turn associated wheels / tires / mechanism (also pretty much a given on any electro-mechanical device over 10 years old even if it's described as "New In Box". 3: Weak clutch springs, migrated lubes on clutch surfaces, burnished felt pads on clutch surfaces

Film breakage: Other than "Auto-Load" / Loading issues, most film breakage is caused not from the actual film breaking, but from previous splices breaking. Most any film over 50 feet will contain splices and some that are shorter will as well. If you are going to be running film through a projector, you WILL want need to have a splice block and FRESH splice tape for your format(s) of film handy. You WILL break film. Not much is more frustrating than to have a broken film in the middle of a project with half of it residing on the take-up reel and the other half still on the "feed" reel and no way to repair or make the splice.

Flicker-Free / Flicker-Reduction: Flicker is usually an issue when doing film to video transfers. It manifests itself by an image that varies in degrees of brightness, similar to watching some of the early 1900 silent films. It happens due to the film shutter and the video camera shutter, being "out of sync".
Typically silent film is shot at 18fps (frames per second), and sound film at 24fps. Video operates at 30fps. "fps" refers to how many times per second an image is projected or picked up. Even if both were the same fps, they would not be in sync, without a lot of very sophisticated equipment that is beyond the scope of most users means. There are a number of "work-arounds" to reduce or eliminate flicker. The first, and best is to use a 5-bladed shutter model projector. Some projectors can be retrofitted with a 5-blade shutter or may have come originally with one. These can be relatively expensive. The flicker is eliminated by projecting more images than is necessary for the video camera to pickup, thus there is always a projected image regardless of whether the video camera shutter is open or closed.
The next way is to use a "semi-pro" or professional video camera that has an "infinitely variable" speed shutter. As of this writing, the low end of those cost $2000 and can go up to around $5000 before reaching "pro" status. Flicker can be reduced or eliminated in some cases, by "riding" the camera speed control, while monitoring the video signal on a monitor (the control needs to be infinitely variable. Having 2 or 3 different speed choices is not sufficient).
The easiest and typically least expensive way to reduce or sometimes eliminate flicker is to vary the speed of the projector. Many film projectors came with a "variable speed" (needs to be an "infinitely variable" type and not just a choice between 2 or 3 speeds) control from the factory. If not, some lend themselves to being modified by a qualified technician by having one added. Another possible way to achieve variable speed on a projector that doesn't have one is to control it externally, using a device such as a "vari-AC" (have a qualified technician determine if your projector is a candidate for use with a vari-AC and know it's limitations and methods for safe use. If a variable speed projector is used, again simply "ride" the speed control while monitoring the image on the video monitor, as you would with a variable speed camera. Flicker cannot always be eliminated, but can usually be reduced to an undetectable degree.

Lamps / Bulbs: Due to the intensity required to project a small image from film, through a small hole, only part of each second, some times distances of 40 feet, projection lamps must be very powerful. This power comes at the price of short life. Most projector lamps have life spans of 10-50 hours and are very fragile thus, should be handled carefully.

Noise: Film projectors are very complicated mechanical things, with lots of moving and integrated parts. There will always be a degree of mechanical noise made by any film projector. It will very in degree by model. Some will be relatively quiet and some will seem quite noisy.

Silent / Sound switch: This is more of an issue with 16mm Film projectors, but the "Silent / Sound" / "Speed" mechanical switch should never be manipulated with the projector is not running. To do so in most cases, will require the projector be partially disassembled to re-seat the drive belt. Again, this is usually not a problem with 8mm units or units that make the change electronically.

Sound quality: "Consumer" film in either 8 or 16mm formats had varying degrees of sound quality. There were many factors that could and can effect sound quality. One is the accuracy of the camera that shot the film originally. If it's speed was not correct or constant, that sound will be imprinted on the film and will play back no better. Sound can vary from usable to laughable in quality, so don't expect Hi-Fi quality by any stretch of the imagination.

Still Function: In order to do "Still" image projection the film must stop. In doing this, most projectors will engage a lamp filter to reduce the amount of light, thus heat hitting a single frame of film. Also, since projection principle incorporates rotating "blades" that alternatively block light, there is no guarantee that when you stop forward motion, you will be on a blade opening, thus light may be partially or completely blocked. This will result in a partial or no image. It sometimes takes 2 to a dozen tries to get the "sync" correct, so you see a complete image. Further since there is a filter or light block used in "still" mode, the brightness of the image will be reduced. Note; due to the tremendous amount of heat produced by most projection lamps, a projector should not be left in "still" mode for more than a few seconds. Longer may result in warped, melted or severed film and a mess to clean up in side the projector film gate.


Zoom Lens: Zoom actuation will vary on different projector models. Some lenses actually have to be physically pulled or pushed to zoom.



Foot note: Film projectors are very complicated, electro-mechanical devices. There are many sub-assemblies and systems within each, and all must be working well together for the unit to function with any accuracy and dependability and not "eat", damage or destroy your precious films and movies. The moving parts always rely on lubricants to function properly and there are commonly a few rubber parts / components as well. Most projectors you see available today, were originally sold from the 1950's through the early 1980's. Thus at best a projector is probably at least 25 years old. Most are 30-40 years old. Interesting things happen to 30+ year old lubricants and rubber parts. Lubricants actually coagulate and will cause "close tolerance" parts to seize or freeze up. Rubber parts can become brittle and cracked, only to break when the unit is started up. The rubber can also revert back towards it's natural state and become a gooey tar. Virtually every used projector out there will need and require 4-18 hours of technician time to be brought to a "usable" state. Simply "turning one on and getting some things to spin with no smoke coming out" is not a revealing test, nor a basis for making a decision to purchase. Our typical customer has previously purchased 3-5 units from individual sellers, who all stated such things as, "we turned the unit on and it works fine", or "we ran a reel of film through it and it worked great", or "never used, still in box" (those are usually the worst condition and the most difficult to breath life back into), or my personal favorite, "no way to test, but projector looks like it should run great!" Needless to say, none of those statements typically held true. It's not that people are trying to "rip anyone off" (I'm a believer that YOU are generally the person that allows yourself to get "ripped off"), it's just that most non-professional sellers of film projectors, stereo gear, guitars, microphones, keyboards or any other technically minded items should find other things to try and sell, such as old doilies and used baby booties. Heck, if I had an electron-microscope, a race horse, or an F-15 fighter jet, to sell, I would be the last person you would want to talk to about their "real" condition. All I would be able to say is, "it looks like an F-15, doesn't have any rust, and the tires are holding air. It must be ready to fly, right...!???"

 

  RECENTLY SOLD / SHIPPED UNITS BELOW:

NEW ADDITION 7/20/09
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warranty
SANKYO
"DUALUX-1000"
VARIABLE SPEED
REGULAR AND SUPER 8mm  
SILENT FILM PROJECTOR
W/ AUTO LOADING AND
ZOOM LENS
#...6612
Made in Japan
SOLD 9/8/09
for sale
We have completely checked out all functions and made any necessary adjustments. We cleaned and lubed the internal drive assembly gears and bearings. While the main drive belt was fine, we still replaced it with a new belt and internal drive gears re-lubed for trouble-free service. Entire projector has been cleaned inside and out! Spring belt for hub drive in great shape. Film fast wind clutches adjusted and work perfectly! Runs and works beautifully. Very quiet and precision sounding when running. This is a characteristic of most of the Sankyo 8mm film projectors after we refurbish them.
Features Auto-Loading for film that works with good condition leaders. Easy to use. Lens is a Sankyo Zoom and specs as follows: 1:1.4 / 15-25mm zoom. Auto film loading that works and does not "eat" every other roll of film like many "auto-loaders" (be sure your leaders are straight, in good condition and not curled). Will play forwards or backward, with or without the lamp. Has frame-adjust knob for fine tuning frame size. Utilizes model KP-GT/CXR/CLX 8 volt, 50 watt projection lamp. Front adjustment foot allows for ~1.5" of height angle adjustment. Easy to use "Still" frame feature with heat guard. Very well built metal construction. Looks great! Great for doing Super 8mm film to video transfers as it has variable speed and the speed on this one is adjustable over a VERY wide range!  Comes with take-up reel, Super-8 hub adaptor, and a NEW projection lamp already installed. Also includes our standard 90 day limited warranty (excluding lamps / bulbs). Measures 12" long x 6" deep x 9" tall (with film arms folded) and weighs 15 lbs unpacked. Film shown in photos not included.
SANKYO DUALUX-1000
Cond. 9++
$589.
SOLD 9/8/09

   

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            NEW ADDITION 2/1/09
GOLDLINE V
CP-720
DELUXE
PORTABLE FILM TO VIDEO
TRANSFER SYSTEM
WITH AUDIO MIXER
SOLD 6/29/09
for sale
Film to Video Transfer System.
The Goldline-V CP-720 for transferring, 8mm & 16mm films, photos and slides to video tape, DVD or computer Hard Drive. Makes your transfers easier and most importantly, more professional looking. Eliminates parallax effect.

It can be used to transfer old  8mm or 16mm home movies / films, photos and slides to Video (either VHS or DVD via a video camera). This was the "Cadillac" of transfer boxes. Unit has a built-in Audio mixer that allows input of audio signal from a "sound" film (if utilized), an input from a music source, and inputs from 2 microphones, all of which can be individually mixed to a final stereo audio output. Also has a "Video Enhance" control to boost your cameras video signal by as much as 6dB! 
Now you can combine all your photos, slides, and movie film reels onto one uninterrupted video tape. Internal mirror secure and intact. Both internal mirror and lens surfaces cleaned. Works with just about any camcorder and will allow you to get those great old memories to safe keeping on tape or DVD either for home use or for your Film to Video Transfer business! Comes with a copy of the users manual with connection diagram for using the audio mixer.
While photos do not show this, it does have a fold out stand built in.
Like New condition, in original box.
Goldbeam CP-720
$149.
SOLD 6/29/09

Microphones, optional AC adaptor and audio cables for the audio mixer and photo lamp sold separately.
You will, of course, need a projector and video camera to utilize this system.

NEW ADDITION 2/18/09
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 GAF
 SUPER / STANDARD
 DUAL 8mm 
 SILENT FILM PROJECTOR
 MODEL 1333
#...3352
SOLD 2/20/09
 for sale
  We have gone through this GAF 1333, Dual-8mm film projector. Good quality and simple to use film / cine projector. Not loaded with features and very basic in operation, but if you just need to "forward project" your films to view or convert to DVD, Hard Drive, VHS or another format, this will likely work for you. Very smooth running following complete restoration. Features Auto-Loading of film. Also Features "sprocket-less" film transport so no "extra" sprocket to loose and need to worry about whether you have the correct internal drive sprocket installed for Regular 8 or Super-8. Front sprocket will adjust in diameter for either Regular-8 or Super-8 size reel holes. Frame adjustor for fine tuning frame for each different film. Has frame-adjust lever for fine tuning frame size. Film capacity of 400ft or 120 meters ( 26 minutes of run time). Utilizes model DGB 30 volt, 80 watt, projection lamp (currently included and installed). Front adjustment foot allows for ~1" of height angle adjustment. We have completely refurbished this unit. New and correct, rubber main and secondary drive belts installed.  Drive tire resurfaced for positive traction. We also installed a new FF pinch. Both hub spindles removed, cleaned and re-lubed with the take-up spindle being replaced entirely. Several internal springs replaced with new units. Entire motor disassembled, cleaned and both bearings re-lubed. Lens focus mechanism cleaned. Film tension arm adjusted. Claw cam cleaned and re-lubed. All internal wheel axels cleaned and re-lubed. Entire projector has been cleaned and re-lubed inside and out! Tested with four 400' reels of film, 2 each regular and super-8. Total time invested in restoration ~6 hrs.

Features:

- Regular and Super 8mm silent film formats
- 30V / 80 Watt projection lamp
- Automatic film loading and take-up reel threading
- Frame center adjust
- 400 foot reel capacity
- Super quiet and very precision built internally
- No expensive, difficult to adjust cloth belt drive system like the more complicated GAF built projectors from this period. That is a HUGE plus with the "Forward Only" GAF designs (again from this period).

Again, this unit is for "forward play" only and will not do still or reverse play by design. Also designed to only run in "lamp on" mode. This projector is "ready to go"! Looks and works great! Front cover has abbreviated instructions inside. Comes with plastic take-up reel that stores in front cover & a Super 8mm hub adaptor for your Super 8mm reels, if you use them. Also comes with an extra, projection lamp. Also includes our standard 90 day limited warranty (excluding lamps / bulbs). Even includes it's original box and packing. Measures 12.5" long x 7" deep x 10.5" tall (with film arms folded) and weighs 16 lbs unpacked. Front reel of Film shown in photos not included.
 GAF 1333
 Cond. 8.5
SOLD 2/20/09